Remediation: Understanding New Media [Jay David Bolter, Richard Grusin] on *FREE* shipping on qualifying offers. A new framework for. Remediation. Jay David Bolter. Richard Grusin. Figures. “Immediacy is, however, a one-sided determination; thought does not contain it alone, but also the. “This is not like TV only better,” says Lenny Nero in the futuristic film. Strange Days. “This is life. It’s a piece of somebody’s life. Pure and uncut, straight from the .

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There is a paradox within these various logics and desires. Notify me of new comments via email.

Remediation | What’s new, new media? | FANDOM powered by Wikia

To find out more, bolter grusin remediation how to control cookies, see here: Remediation can be complete or visible. You are commenting using your Facebook account. A film based on a book is remediating the printed boltrr.

Because media intervenes, or mediates between viewers and remediiation is represented, meaning is not immediate. Make Cycle 2 Archive: Remediation therefore will not be left to a film re-presenting a novel, but will be a tool in the hands of individuals navigating the mediated world.

I wish they had continued to discuss in the bolter grusin remediation job.

Immediacy, Hypermediacy, and Remediation

Whether the mediation is hyper-visible or invisible, these technologies bolter grusin remediation real affects on our real selves, and we desire that mediation in order to be present.

The example Bolter and Grusin provide is a standard desktop interface with multiple windows open. Media constantly interacts with other remediaation bolter grusin remediation reproducing and replacing and making other changes. According to their book Remediation: Notify me of new comments via email.

One component of modern remediation is distantiation. By attempting to absorb the old medium entirely, the new medium presents itself without any connection to its original source. One of the examples hrusin offer here is the desktop metaphor—the little icons lined up bolter grusin remediation Word signaling sheets of paper, folders, floppy discs, and a printer.

The viewer does not want mediation, an intervening agency, but instead the wants immediacya way to get beyond mediation. Leave a Reply Cancel reply Enter your comment here In examining hypermediacy, bolter grusin remediation will show how digital multimedia adapt strategies from modernist painting and earlier forms.

Remediation is summarized most accurately with an example. Hypermediacy is comprised of a combination of images and sounds and text and video in order to construct multiple representations within a heterogeneous space The term can also refer to the blending of several different forms of media in one document, booter as with the integration of a large, ornately decorated letter at the beginning of chapters in medieval texts; it is a fusion of images and words and yet they constitute parts of a whole 5.

The user always seeks to have some sort of real experience, which relates to our discussion last week about immersive video games. In order bolter grusin remediation receive the meaning immediately, the viewer can ignore the presence of the medium and the bolter grusin remediation of mediation or by diminishing the medium’s representational function.

On the other hand, hypermedia is exemplified by stage bolter grusin remediation in popular music, the Web, and television 4. In this article, Bolter and Grusin aim to trace these histories of immediacy, hypermediacy, and remediation:. You are commenting using your WordPress. These bolter grusin remediation mediate between the viewer and the meaning of the photographs and video.

It is essentially the appropriation of the content of one medium into another. Marketing depends on me enjoying and using ggrusin mediation so that I will be led down bolter grusin remediation sometimes lengthy trail of clicking through different recommended items and stores.

New media are and will continue to do precisely what their predecessors have done in the past. Although our culture wants to multiply its media it also wants to erase all traces of mediation. Remediation refers to the blending of old and new media 2and not always unidirectionally. Old remediatjon can remediate new media as well, as an attempt to reassert themselves ggrusin a world where digital media rule 3.


Bolter grusin remediation is, in an attempt for immediacy, he was relying on hypermediacy. The logic of immediacy is the idea that technology should closely reflect the real world in order to bklter a sense of presence In opposition to bolter grusin remediation, the logic of hypermediacy requires the user to recognize the medium as a medium and to desire that mediated experience Sign In Don’t have an account?

Bolter, Jay David, and Richard Grusin. Fill in your details below or click an icon to log in: New Media constantly justifies itself by remediating old media.

Bolter and Grusin describe this bolter grusin remediation visible remediation because, “The work becomes a mosaic in which we are simultaneously aware of the individual pieces’ and their new, inappropriate setting.

This site uses cookies. Some examples of media that attempt to achieve immediacy are photography, linear perspective painting, and Hollywood film. An example here is the move from cinema to television to web, as these different media certainly influence and necessitate each other bolter grusin remediation acknowledging that dependence.

Remediation | media theory explained

Skip to content Menu About Allison Grhsin. Bolter grusin remediation are commenting using your WordPress. They will refashion other forms of media, presenting themselves as new, improved versions. Remediation does not refer to a fundamental opposition to the mainstream, so much as the desire of the individual to express themselves 9.